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Madrona Protocol for the Flower Moon

by Scott Roller

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1.
Madrona 01a 01:29
2.
Madrona 02a 01:50
3.
Madrona 03a 01:00
4.
Madrona 04 02:07
5.
Madrona 05a 01:10
6.
Madrona 06a 00:28
7.
Madrona 07 01:11
8.
Madrona 08a 00:53
9.
Madrona 09a 01:28
10.
Madrona 10 01:06
11.
Madrona 15a 01:58
12.
Madrona 16a 01:24
13.
Madrona 01b 00:33
14.
Madrona 02b 00:50
15.
Madrona 3b 01:07
16.
Madrona 05b 03:00
17.
Madrona 06b 00:29
18.
Madrona 08b 00:40
19.
Madrona 09b 00:28
20.
Madrona 11 00:58
21.
Madrona 15b 01:51
22.
Madrona 16b 00:53
23.
Madrona 17 00:49
24.
Madrona 19a 00:28
25.
Madrona 5c 01:00
26.
Madrona 08c 00:41
27.
Madrona 09c 00:45
28.
Madrona 12 00:51
29.
Madrona 15c 02:49
30.
Madrona 5d 01:21
31.
Madrona 08d 01:25
32.
Madrona 09d 00:41
33.
Madrona 13 00:39
34.
Madrona 18 01:28
35.
Madrona 01c 00:57
36.
Madrona 08e 00:28
37.
Madrona 14 01:21
38.
Madrona 19b 00:55

about

Yesterday I participated in a "telepathic" session with members of the uni.Sol crew distributed internationally. The real core of yesterday evening’s music-making (which went on for about 3-4 hours in fits and starts in all sorts of directions) was an hour improvising 19 discrete tracks on a Keith McMillen K-Board connected to two of my absolute favorite software synths: AALTO and KAIVO by the brilliant MADRONA LABS in California. Working with patches I have played with the past few months and feel pretty comfortable with, I got deeply immersed for an hour.

That went on until late and as soon as I got up this morning, I gravitated immediately to the dense hour I had tracked in the Madrona Labs environment. When I got to going through what I had played, marking them up as to phrases and streams, I quickly arrived at a very clear plan of how the individual ideas might unfold (as a spiral, more or less) and just managed to get them enough into shape with modest mastering to be happy to share them. Love and blessings to all in these stressful times.

credits

released May 7, 2022

Many thanks to MADRONA LABS for the beautiful West-Coast software. In addition to the two synths I mentioned, I also used their AALTOVERB in mixing, so everything you hear here, for better or worse, is made exclusively with their products, hence the name of the album.
Check them out! : madronalabs.com

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about

Rollermusic Stuttgart, Germany

Music by Scott Roller (USA/D): multi-instrumentalist, improviser, composer, educator and producer based in Stuttgart, Germany.

From composed and improvised chamber music to a wide range of electronic, electroacoustic music from now and the past 40 years.

Current emphasis on sound design, studio-based work which is manifested in film, video & live performances. Artistic Director of Open_Music.
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